Robert Wilson Surrealism Paper I have been asked now to require the page number for the citations you used. I am not sure what pages were used so may you p

Robert Wilson Surrealism Paper I have been asked now to require the page number for the citations you used. I am not sure what pages were used so may you please find and add MLA citations for you work. Running Head: SURREALISM
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Surrealism
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Institution
SURREALISM
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Surrealism
Robert Wilson is an experimental stage and theater director born in 1941. He has worked
in different fields including choreographing, performing, painting, sculpting, video making as
well as designing theater sounds and lights. He has direct a lot of plays in theatre, songs,
paintings, and choreographies which have all been a success. He is best described by many to be
the most celebrated theater directors ever with the most significant work such as Deafman
Glance and the Civil wars. However, the thing that makes him have a cutting edge over the other
writers is his ability to think outside the box and apply his wildest thoughts and dreams in his
work. Louis Aragon recommended him to Surrealist poet Andre Barton after his play, Deafman’s
Glance (Goebbels, 2015). Lois Aragon had watched that play getting performed, and he liked it
due to the surrealism applied in it. Through is out of this world plays and poems he is regarded to
be a surrealist poet and the pioneers of surrealism.
Surrealism is a movement which began in the 1920s and is represented by outstanding
and bizarre writings and visual artworks. The campaign started through a revolutionary
movement called Dada which was a natural and artistic movement in Zurich, Switzerland. The
movement began as a result of World War 1 where the artist blamed nationalism for the war
which had killed a tune of up to 18 million people which represented 1% of the world’s
population at that time. The Dadaist believed that the war was going to eliminate the world’s
population due to the rational values, political principles and strategies of their leaders if no
action was taken. The aesthetic strategy behind the use of surrealism by the Dada movement was
using wildly different pieces such as photography, paintings, collage and poems meant to mock
the nationalistic and materialistic attitudes that had led to the war. The concept was discouraging
the craft of aesthetically beautiful artwork and objects but encourage the opposition of bourgeois
culture and sensibilities (Bigsby, 2017). The movement yearned to show the value and purpose
of art in society and the role it can play in solving some of the societal problems.
Artists and performers apply the theory of surrealism in the postmodern world, and
Robert Wilson is one such example. He uses the legacy in his work whereby he believes that
thinking spatially and speaking visually is the ultimate way of showcasing art. His play Deafman
Glance made use of surrealism as it is just a play where no one is talking (Elder, 2015). In one of
his work in 1972 called KA MOUNTAIN he applied the sound effects of shattering glasses;
something that had not been seen before. He uses the phenomenon of autism as an aesthetic
anchor in his theatre; something that is against the bourgeois sensibilities. The choreographies he
directs in the theatres all go against the norms of art, but that is what makes his work impressive.
Even though he uses surrealism in his work, he also diverges from it and creates realistic
acts. Surrealism I very fundamental in work of art such as paintings, music, plays, and even
sculptor but when used too much it make the work lose its artistic nature and its value. An
individual should be capable of transferring his or her thoughts from the mind and transfer them
to pieces of art, but there is a limit at which it should be done as past that limit it ceases to be art
and Robert is very good at doing this. In many of his work, he uses surrealism, but he uses that
rationally so that art does not lose its meaning (Elder, 2015). The principal value I get from his
work is that the application of surrealism allows an individual to express his thoughts openly, but
it is good to be rational while doing that.
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References
Bigsby, C. W. E. (2017). Dada & surrealism (Vol. 22). Milton Park: Taylor & Francis.
Elder, R. B. (2015). Dada, surrealism, and the cinematic effect. Wilfrid Laurier Univ. Press.
Goebbels, H. (2015). Aesthetics of Absence: Texts on Theatre. London: Routledge.

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