Water Film Indian Culture Critical Analysis In a substantive paragraph (about 1 double-spaced pages long), respond to the attached file, you should write y

Water Film Indian Culture Critical Analysis In a substantive paragraph (about 1 double-spaced pages long), respond to the attached file, you should write your reaction,,Don’t use outside references, use your reaction to the attached essay pretty simple 🙂 Surname 1
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Critical Analysis of Film “Water (2005)”
In the film, water, Deepa Mehta discusses situations of Indian windows. The primary
objective of Mehta is drawing the attention of viewers based on the condition of widows in
the contemporary world. In the epilogue of the movie, individuals can note that there are
more than 34-million widows in India following the 2001 Census. Various widows stay in
conditions of cultural, economic, and social deprivation, as mentioned several years ago by
the Sacred Texts of Manu ( Water 1:47). With this, the director links the film to modern
Indian culture as well as reminding people that this is not the only work of fiction but also the
fact for various Indian females. However, this paper discusses the aspect of Brahmin widows
revealed in the films as well as connecting to the reading “The Storm of Deepa’s Water.”
In India, there are various fates and lives of widows. However, there is no concrete
way or correct behavior that can describe how to treat Hindu widows or prescription of their
roles. It differs based on place, time, caste, and family, and it is a tradition, which evolved
and changed over a certain period and diversely manifested itself. From the movie,
Shakuntala enquires from her priest, where it is composed that widows should be mistreated
(Courtney, 120). After the death of her deceased husband, individuals claim that a woman has
three options: to marry his younger brother, lead ascetic widow life, or to burn with him on
his funeral pyre. The film indicates this when the priest quotes the 3-options and places them
in the Shastras context (Water 1:18 to 1:19:30). The roles of widows in the Dharmasutras,
composed during the fifth and second century BCE, are only for a particular time after the
death of the husband.
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Even though there are various restrictions on the widowed woman, the limitations fail
to be prescribed for life, where it only occurs for a particular time. Individuals in India have a
notion that only a man who has powers and the woman should be under his authority. In the
reading, the author argues that women are allowed to maintain their heads on the situation
that they surrender them to silence. It is an indication that anxiety of male castration
encompasses female counterpart in fear of women based on decapitation (Courtney, 119).
Before marriage, the father of the girl takes care of her, and after marriage, the husband takes
over. In case the husband dies, her in-laws or grown-up son take care of her. However, if the
woman decides to stay widow and has no children, individuals follow the laws formulated to
keep her status as low as possible. A woman should not remain alone in India, explaining
why there are various options for widows.
Various widows are still forced to stay an ascetic life as revealed by Shastras, who
was ignored and denied by the community. Ignorance is one of the most significant reasons
why this movie had various troubles while shooting and why individuals completed the
shooting outside the Indian country. Even though there is a decrease in the percentage of
child widows in India, it is crucial for the viewer to take note that the indoctrination
concerning the widow’s roles still starts at an early stage. It is the main reason as to why this
type of social evil is had to eliminate. It is evident in the film how various widows are illtreated by the community, where they face tragic situations. The film predominantly created
awareness as well as shocking to many Indians individuals who lack ideas on the social
conditions in their nation. In the reading, the author claims that
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Works Cited
Water (2005 film). Dir. Deepa Mehta. Perf. David Hamilton. 2005. CD.
Courtney, Sheleyah A. “The Storm of Deepa’s Water: From Violent Tempest in Varanasi to
Glacial Account of Hindu Widowhood.” The Australian Journal of Anthropology 18.1
(2007): 115-121.

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