Water Film Primitive Cultural Practices and Analysis In a substantive paragraph (about 1 double-spaced pages long), respond to the attached file, you shoul

Water Film Primitive Cultural Practices and Analysis In a substantive paragraph (about 1 double-spaced pages long), respond to the attached file, you should write your reaction,,Don’t use outside references, use your reaction to the attached essay pretty simple 🙂 Running head: FILM WATER
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Film Water
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Water film and analysis
Water film presents elements of race, gender, and class. These are the core thematic
subjects explored throughout the film. For instance, the film portrays women as being weak and
inferior compared to men. Women are presented as dependable people who are nothing without
men (Courtney, 2017). On the same token, the film portrays widows as comparatively
undervalued and as people who do not measure up to the social scale. In other words, widows are
half-human or less of that because they do not have husbands and thus cannot be treated with
deserved respect. Widows are also presented as unholy and unclean.in the opening scene, for
instance, Kalyani (a widow) touches a married woman and from that instance, the woman
rebukes her of being unclean and says that she has to take a bath. This incident shows that
widows are regarded as unholy and evil and not valued in Indian society. Women identify so
much with their husbands that to be widowed is deemed to be evil. Male-identification is a theme
taken to the extreme in the film. The woman is useless and pathetic if not married or widowed.
She arguably becomes ethically dead upon her husband’s demise.
One idea presented in the movie is literary to cremate a widowed woman together with
her deceased husband. A widow is also expected and even forced to marry the brother of her
dead husband and live a self-denial lifestyle. In one instance in the film, Chuyia, an innocent
child, asks, who houses widowed women? However, hearing such statements, the women rebuke
such comment and scandalize her for her remarks saying that ‘being a widow is a fate that God
should protect us from.’
It is utterly surprising that women do not question their discriminating culture, but follow
it blindly. It has made them slaves and weak, but they adhere and attach to it firmly. One of the
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woman (pictured in the film) even openly says that she cannot have dinner in the same table with
Kalyani because she is nothing but a pollutant widow. In the movie, women are cognizance that
men are superior to them, and hence, they are horrible, and for this reason, they can do nothing
but get used to the situation. Although women know that men regard them with the admonition,
they are too weak to repel such culture. Additionally, women admire being men. When one
woman dies, for instance, another one says that ‘I believe God will bring her back as a man.’
Water is a film that mirrors the primitive cultural practices in India. It is a backward,
retrograding culture that diminishes women, especially widows. Women are detested mostly for
economical reason. Noticeably, Shakuntala tells Narayan that their position in the Indian culture
is nothing but to serve as men’s concubines. ‘It’s all about money nothing else,’ she says. The
film also shows that Indian culture values the caste system. It explores the unbearable lives of the
so-called untouchables. Although the film makes considerable references to the ideologies put
forward by Gandhi that untouchables should not be mistreated, the caste system is depicted as
firmly rooted in the Indian culture. It is also surprising that the marginalized people uphold and
support the degrading system. The mistreatment of widows is linked to the caste system – they
are deemed as weak. Widows are ranked in the lower stair in the social stratification.
Furthermore, a wealthy woman is much appreciated in Indian society than a married one (Joshi,
D., & Fawcett, 2016)– money and status is everything in this culture.
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References
Courtney, S. A. (2017). The Storm of Deepa’s Water: From Violent Tempest in Varanasi to
Glacial Account of Hindu Widowhood. The Australian Journal of Anthropology, 18(1),
115-121.
Joshi, D., & Fawcett, B. (2016). Water, Hindu mythology and an unequal social order in India. A
History of Water, 3, 119-36.

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